"What shall we tell you? Tales, marvellous tales/Of ships and stars and isles where good men rest/Where nevermore the rose of sunset pales/And winds and shadows fall towards the West
My host in Tashkent was named Delbar. I hadn't met her yet, her cousin had run up with the key when I arrived, but when I wrote to schedule the return of the key, she said she wanted to meet me, since it was her last chance. I had a very early train, so I had been hoping to drop the key in a mailbox, but she said that no matter how early, she would meet me to take it in person. And thus, at 7am, I shook the hand of Delbar.
An energetic woman in her 30s with a European style. She asked me if I'd photographed her building, and I said I'd taken some pictures of the room (it featured a hilarious carpet with a print of charging horses), but she meant the building in which she lived. "It is famous," she said, "for being seismic."
She told me many people from France come to photograph her building. I saw the one she meant in the distance, a tall cylindrical tower. I assumed by seismic, she meant it had been specially built to resist earthquakes. Though, of course, that would be an excellent expression to indicate excitement. "I saw Delbar and the Tracksuits at a small club in Shymkent; It was seismic!"
I assumed she told me French people photograph it because a French architect had designed it. Either that, or news of my ability as a mime had reached her. She showed me a shortcut to the Kosmonaut station, and I had one final ride on that tremendous metro. It really is the number one reason to see this city.
The trains, as I would soon discover, were also smooth and efficient. The security was pretty intense, almost airport-like, but once you're on, you're whisked away at great speed, and hills like wrinkled brains flash by the window.
I read a book about Shostakovich and was completely absorbed for the entirety of the trip. I entered the world of the book and was almost upset to have arrived at my destination. The one thing I'd "known" about him was he was the guy who had shrapnel in his head that acted like a radio station tuned to the God Channel, and he got all his ideas by copying what the shrapnel played, a kind of celestial Shazam app.
But, that story is totally made up, a famous myth about him, so... I knew nothing at all, and I was completely fascinated by his early collaborations with the Russian Futurists. I had previously only been familiar with the Italian branch of that school, The book reprinted an advertisement for baby pacifiers a guy named Rodchenko made. The text was: "No better pacifiers! Never have been! You'll suck 'em 'til yer old!"
It cracked me up so much, the century-old satire of it undiminished. Beyond the comedic bluntness of it, he was probably trying to convey a marketing meeting where they were like, "what's a way to show our product is durable and worth buying?" "That you'll use them your whole life, sir?" "Print it!" I was speaking those lines out loud to myself in my seat and rocking back and forth. All I needed was a pacifier.
Writing down the names of the Futurist artists, I was filled with that beautiful feeling of having a new field to explore, it was like brushing aside ivy on a garden wall and discovering a hidden door.
My room in Samarkand wasn't ready, which was a tremendous relief. More time to read! I sat in a little park near the train station and stayed in the world of the young composer and his friends. Uzbekistan is proving to be a great country for parks, and everything is so meticulously clean. It's one way to keep employment high, give everyone a broom and point them parkward. Very few stray animals as well.
I was often interrupted by cab drivers, but that's their job. Unlike, say, Morocco, they leave you alone after a few nyets and a smile. Eventually, at a chapter break, I let one take me to where I would be staying. Though I showed him an address, and where it was on the map, it was a complete mystery to him. I have often encountered this, most prominently in Georgia. I think their process is just different, they don't know street names, just... places, they get there by feel and muscle memory.
So, the driver asked all the other drivers where the street was, and they all chimed in with their ideas, but none really knew. You just have to name all the landmarks close to it, and have them take you to the one you don't mind walking from the most. The whole thing was compounded by the host having given me the wrong address. I just had the driver drop me off in a park, so I could read.
This one was clean, but the benches had all been removed for some reason. The arms were still there, but the seats had all been taken away. "I was a bench once, during the war." The place was otherwise immaculate. But... to what purpose? To look good from a satellite photo?
My bags and I took over a pile of bricks, and I was with Shostakovich and his friends until the apologetic host told me the correct address (not too far away!) and that he was sorry but the room wasn't ready, but I could dump my bags there. I was delighted! More time to read! Humped 'em and dumped 'em, and I was free on the streets of Samarkand with a book under my arm and a pocket stuffed with fifty-thousand dollar bills.

I was in a great mood, inspired in a new city on a cool, bright day, so I was open to everything, quick to rapture, nostrils a'quiver, willing to dive into the foamiest part of the surf! I fell deeply in love with a ubiquitous van called a Damas. They were everywhere, tiny cars with clash-colored lightning bolt patterns on the side. I desperately want one. The wheel is on the wrong side, and I never learned how to operate a manual transmission, but... we could make it work, the Damas and I. I just know we could overcome our differences and tell the rest of the world to go to hell.
Got a hamburger at a place staffed by teens, and it struck me how rarely I see that in Seattle. Growing up, fast food was a job for teenagers, but I mostly see adults behind the counter back home. A job at Wendy's is like a well-made pacifier, you'll suck it 'til yer old. What jobs do kids have now? Are they all Instagram influencers?
In any case, these cheerful hamburger-boys were all over me, taking legitimate delight in having a stranger in their midst. I was able to read the menu, but one made a point of coming over and speaking the name of each burger. The place had an "international" theme, so it was the Italian burger, the Spanish burger, etc. This was clearly indicated by national flags, but.. I think he just wanted to practice his English. I smiled, nodded and made appreciative sounds.
"Franch boorger," Ah! "Joorman boorger," Oh, my. "Bell-gum boorger," Very nice.
Whenever I looked up, the others winked at me. With my server's shoulder touching mine, and all the smiling and eye-meeting, I started to blush. It's been weeks since I've had human contact. I felt flirted with and distracted. I got the boorger with the Toorkish flag next to it.
Hilariously, there was a bottle of something called Uzbasco sauce on the table.
I read and ate. One of the boys came over to ask if I thought he could ever be a lawyer in America. I told him he had a very good chance. It wasn't a strange question, but not the one I expected. I paid and left to a baroque flourish of winks.
Back into the sunny, cool air, I made my way to the Tomb of Tamerlane! This guy! One of the biggest conquerors ever, the last major one before guns, anyway. He totally ruled and trashed this part of the world and most of the parts around it. He was also super into the arts, which most of them weren't. He was like Conan with season tickets to the opera.
Also, his name, like the name Samarkand, rhymes with a bunch of stuff, so English poets got all worked up about him. These words became symbols of "the Orient" in a billion hilarious odes and sonnets written by Shelley's fainting fans.
I wasn't quite getting the sense of silk and spice, but I was responding to the peace of the place, the birdsong and the Tourist Police. The tourist police! These stations were most places, little stands with a dude or two inside, there to help you out. The term seemed sarcastic to me, though. "Hey, give me back my passport!" Pfft, who's gonna help you, the tourist police?
I did not enter the resting place of Tamerlane, but I made myself laugh calling the road to his grave "Tomber Lane."
Further along was The Registan, a grouping of three mosques set in a large plaza and often referred to as the most majestic site in Central Asia. It was certainly very impressive with many very beautiful arches with delicate mosaics and towers that seemed at once both fragile and eternal.
A big deal is made of the image of a lion on one of the mosques as it was forbidden under Islamic law to depict living creatures. You can tell they were out of practice, because the lion has stripes like a tiger. It's one of the very few images, I am told, of an animal in classic Islamic art (there's also a goofy face floating above it). This law, they say, is why the patterns in carpets, pottery, textiles, etc, are so ornate and developed, it's because abstract art was what was allowed. It was just too too non-representational, darling.
This is what the guide book said and was repeated in the fragments of eavesdropped conversations from tour guides I overheard. I'm a great one for overhearing.
Long walk home where, surely, the room would be ready. It was, and my bags had been well cared for. I stretched out and read myself to sleep. The place was huge, with two large beds in two large rooms, and there was some concern another tenant would show up in the middle of the night, but in the morning I was alone.
I slept in, since I had hit most of the highlights the previous day. Made myself tea, wrote, read, caught up on the terrible political news from back home, and made my way slowly to a coffee shop where I read some more. I got to the part where Stalin feels like he can't kill Shostakovich because he's too famous to throw in the gulag.
There were also some interesting parallels between Stalin and the current US president. Like, those Big Bad Names from the 40s have been overused so much, they've lost a lot of their power. Saying someone is like Hitler now is like saying they're The Devil. Oh no, not The Devil. I've heard he's pretty bad.
And part of the dulling of them as symbols of evil is that their evil is almost incomprehensible. But they were men, and they have a profile. In Stalin's case, he was a charismatic narcissist who people were afraid to speak the truth to. He thought he was a genius and an expert at everything, even things he had absolutely no experience with. He shot the generals and scientists and scholars who told him things that didn't fit with his private reality, and when he was proven to be a complete fool (Hitler played him for a total sucker), he just collapsed.
Since all the competent people were dead or in jail, the government had to track him down in his vacation house where he was sitting in the dark in complete disbelief that he'd been wrong about something.
This is the parallel profile of the current US President. If something bad he can't ignore happens, he's going to completely shut down, unable to process the actual.
Anyway, those were my breakfast thoughts.
Long walk to Shah i Zinda past many billboards. The advertising here goes full Miss Becky. It's all pictures of road-weary white ladies taking selfies in front of The Registan. In English, they say "Make Samarkand Your Own!" and "See Central Asia." It was the most realistic type of this thing I've seen. Usually, it's a an impossibly beautiful nuclear family of open-mouthed yuppies pointing in wonder. These ads depicted the tourist reality.
It was the time of afternoon when the grass is cut with scissors, and I saw large groups of women maintaining the many park lawns in this way.
Passing through a large, sprawly market I bought walnuts and stepped over piles of pig's legs and buckets of liver. They have a very interesting and distinct way of displaying spices here. In other country's markets, you have the sections, drawers, or containers piled into a little pyramidal mound of saffron or paprika or whatever it is. Here, the spice pile is flat with a clear glass full of that spice on top of it. There was something functional and... geometric about it that I liked.
My boots are dusty as Miss Becky at the Registan, but I turned down a wandering man with a brush who offered to clean them. It reminded me of the time in Vietnam the guys chased me down the street yelling "Ugly shoe!! Ugly shoe!!"
I really did run from them.
The Shah-i-Zinda was breathtaking, my favorite "official" site of the trip so far. A long, narrow corridor of beauty with images of "the Orient." I felt like a fainting fan of Shelley. Curved archways with views that looked like the "gateway to the East." It was like the place mat from a Central Asian restaurant come to life.
Cold wind curling around the tombs, cold sunlight splashing on the smooth stone, explosive constellations of tile. Just as I was feeling like all Timurid architecture was the same, they struck me with this doozy. The mausoleums winked like burger-boys.
It was seismic.
I floated home to see if Shostakovich was going to starve to death in Leningrad or not. On the way, I prevented my own starvation with a greasy pile of plov. It wasn't good, but I'd had a very good day. I had seen Shah-i-Zinda and made Samarkand my own.
Slept in the enormous two-bed palace and prepared for a morning in Bukhara.